2K Video / DCP, 4:3, color, 5.1 or stereo, 17’10’’, 2015.
In an initially deserted room objects slowly begin to move; they are manipulated from the off-screen space, being pulled and dragged by strings, cables or the carpet. This is accompanied by superimposed subtitles, which consist of a collage of existing film dialogue taken from gaslighting films: A text assemblage on seduction and betrayal unfolds in relation to signifiers and performative re-enactments of codes associated with classical cinema.
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